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( June 2018)A remix is a piece of media which has been altered or contorted from its original state by adding, removing, and changing pieces of the item. A song, piece of artwork, books, video, poem, or photograph can all be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new.Most commonly, remixes are a subset of in music and song recordings. 29 second sample from 's 'Elysium' - original.Problems playing this file? See.Early pop remixes were fairly simple; in the 1980s, 'extended mixes' of songs were released to clubs and commercial outlets on vinyl. These typically had a duration of six to seven minutes, and often consisted of the original song with 8 or 16 of instruments inserted, often after the second chorus; some were as simplistic as two copies of the song stitched end to end. As the cost and availability of new technologies allowed, many of the bands who were involved in their own production (such as, and ) experimented with more intricate versions of the extended mix.
Began her career writing music for dance clubs and used remixes extensively to propel her career; one of her early boyfriends was noted DJ, who created several mixes of her work.took the remix styles to an extreme—creating music entirely of. They were among the first popular groups to truly harness the potential that had been unleashed by the -based compositions of such as, Yellow Magic Orchestra,. Contemporaneous to Art of Noise was the seminal body of work by (composed, arranged and mixed by ).
Primarily because they featured sampled and synthesized sounds, Yello and Art of Noise would produce a great deal of influential work for the next phase. Others such as and the aforementioned Jarre (whose was an epic usage of and ) were equally influential in this era. Carey is credited for introducing R&B and hip hop into mainstream pop culture, and for popularizing rap as a featuring act through her post-1995 songs with her remix of ' featuring.In the early 1990s, became one of the first mainstream artists who re-recorded vocals for a dancefloor version, and by 1993 most of her major dance and urban-targeted versions had been re-sung, e.g. Some artists would contribute new or additional vocals for the different versions of their songs. These versions were not technically remixes, as entirely new productions of the material were undertaken (the songs were 're-cut', usually from the ground up). Carey worked with producer to create the official remix of 'Fantasy'. The Bad Boy remix features background vocals by Puff Daddy and rapping by Ol' Dirty Bastard, the latter being of concern to Columbia who feared the sudden change in style would affect sales negatively.
Some of the song's R&B elements were removed for the remix, while the bassline and ' sample were emphasized and the bridge from the original version was used as the chorus. There is a version omitting Ol' Dirty Bastard's verses. The 'Bad Boy Fantasy Remix', combines the chorus from the original version and the chorus of the Bad Boy Remix together, removing Ol' Dirty Bastard's vocals from his second verse. Carey re-recorded vocals for club remixes of the song by, titled 'Daydream Interlude (Fantasy Sweet Dub Mix)'.The Bad Boy remix garnered positive reviews from music critics. 'Fantasy' exemplified how a music sample could be transformed 'into a fully realized pop masterpiece'.
The song and its remix arguably remains as one of Carey's most important singles to date. Due to the success and influence of the song, Carey is credited for introducing R&B and hip hop into mainstream pop culture, and for popularizing rap as a featuring act through her post-1995 songs. Sasha Frere-Jones, editor of commented in referencing to the song's remix: 'It became standard for R&B/hip-hop stars like and, to combine melodies with rapped verses. And young white pop stars—including, and —have spent much of the past ten years making pop music that is unmistakably R&B.' Moreover, Jones concludes that 'Her idea of pairing a female songbird with the leading male of hip-hop changed R&B and, eventually, all of pop.
Although now anyone is free to use this idea, the success of 'Mimi' ref. To The Emancipation of Mimi, her tenth studio album released almost a decade after 'Fantasy' suggests that it still belongs to Carey.'
Of MTV News has stated that the remix was 'responsible for, I would argue, an entire wave of music that we've seen since and that is the R&B-hip-hop collaboration. You could argue that the 'Fantasy' remix was the single most important recording that she's ever made.' Norris echoed the sentiments of 's, who told MTV that it's because of Mariah that we have '.' Judnick Mayard, writer of TheFader, wrote that in regarding of R&B and hip hop collaboration, 'The champion of this movement is Mariah Carey.' Mayard also expressed that 'To this day and Mariah may still be the best and most random hip hop collaboration of all time', citing that due to the record 'Fantasy', 'R&B and Hip Hop were the best of step siblings.' In the 1998 film, Soo Yong is singing the song while it plays on the car radio, shortly before her kidnapping.
In 2011, the band used the song at the beginning and end of the video 'You Know That Ain't Them Dogs' Real Voices'.Indie artist has called 'Fantasy' one of her favorite songs of all-time and has said Mariah is the reason there is a Grimes. Jessica Simpson’s ' (So So Def Remix) featuring and had an incredible impact in 2001.was asked to provide a 'guest rap', and a new tradition was born in pop music. Would feature three artistically differentiated arrangements of ' in 1987, highlighting the potential of 'serial productions' of a piece to find markets and expand the tastes of listeners. In 1995, after doing ', which proved to be his best selling single ever, would do its remix with again featured, who originally wanted it for his next album, but relented to let it be on the album instead. This also included the reappearance of, also from the original, but he ended the remix with an ad-lib on the outro. 's song ' was remixed, containing lyrical interpolations and an instrumental sample from '. A separate music video was filmed for the remix, shot in black and white and featuring a cameo appearance by Snoop.
In 2001, released an urban remix of her song ', featuring rappers and, who also produced the track. It samples the 's song ' (1973) and ' by (1987).Another well-known example is, who recorded two different versions of ' for his 2003 album. The song is unique in that it segues from the end of the original to the beginning of the remixed version (accompanied by the line 'Now usually I don't do this, but uh, go ahead on, break em' off with a little preview of the remix.' In addition, the original version's beginning line 'You remind me of something/I just can't think of what it is' is actually from an older Kelly song, '. Madonna's featured a remix of ' that was used to segue from the original to ' so that the latter could be added to the set without jarring the listener.In 2015, EDM artist, who worked with Jay-Z’s Roc Nation, tried to sue his former manager for remixing his songs without permission, claiming that he gave his manager the go-ahead to use his work for some remixes, but not others.
90's Hip Hop Mix Mp3 Download
Deadmau5 wanted reimbursement for the remixes his manager made after they had severed ties, because he claimed it was his “moral right” to turn these future remixing opportunities away if he had wanted to. The two parties reached an agreement in 2016 that kept from making any new remixes.tried to sue rapper in October of 2018 for remixing his ' beat, due to their publicized feud. However, a judge threw out the lawsuit claiming that 50 Cent did not have copyright on the beat, but rather it belonged to Shady/Aftermath Records.Many hip-hop remixes arose either from the need for a pop/R&B singer to add more of an urban, rap edge to one of their slower songs, or from a rapper's desire to gain more pop appeal by collaborating with an R&B singer. Remixes can boost popularity of the original versions of songs.Thanks to a combination of guest raps, re-sung or altered lyrics and alternative backing tracks, some hip-hop remixes can end up being almost entirely different songs from the originals.
An example is the remix of ' by, which has little in common with the original recording apart from the title.Slow and R&B songs can be remixed by producers and DJs in order to give the song appeal to the scene and to radio. Conversely, a more uptempo number can be mellowed to give it ' appeal. Saddled both markets with his Def Classic Mixes, often slowing the tempo slightly as he removed ornamental elements to soften the 'attack' of a dancefloor filler. These remixes proved hugely influential, notably 's classic single ' would be aired by urban radio in the Knuckles version, which had been provided as an alternative to the original mix by Ian Devaney and Andy Morris, the record's producers.Broader context A remix may also refer to a non-linear re-interpretation of a given work or media other than audio such as a hybridizing process combining fragments of various works.
The process of combining and re-contextualizing will often produce unique results independent of the intentions and vision of the original designer/artist. Thus the concept of a remix can be applied to visual or video arts, and even things farther afield. 's disjointed novel has been compared by some to the remix concept.Remix in literature.
Main article:A remix in literature is an alternative version of a text. Used the developed by to remix language in the 1960s.
Various textual sources (including his own) would be cut literally into pieces with scissors, rearranged on a page, and pasted to form new sentences, new ideas, new stories, and new ways of thinking about words.' The Soft Machine' (1961) is a famous example of an early novel by Burroughs based on the cut-up technique. Remixing of literature and language is also apparent in Pixel Juice (2000) by who later explained using different methods for this process with Cobralingus (2001).Remix in art.
This section possibly contains. Please by the claims made and adding. Statements consisting only of original research should be removed. ( April 2015) A remix in art often takes multiple perspectives upon the same theme. An artist takes an original work of art and adds their own take on the piece creating something completely different while still leaving traces of the original work. It is essentially a reworked abstraction of the original work while still holding remnants of the original piece while still letting the true meanings of the original piece shine through. Famous examples include by Andy Warhol (modifies colors and styles of one image), and by Pablo Picasso, (merges various angles of perspective into one view).
Some of Picasso's other famous paintings also incorporate parts of his life, such as his love affairs, into his paintings. For example, his painting Les Trois Danseuses, or The Three Dancers, is about a love triangle.Other types of remixes in art are parodies.
A parody in contemporary usage, is a work created to mock, comment on, or make fun at an original work, its subject, author, style, or some other target, by means of humorous, satiric or ironic imitation. They can be found all throughout art and culture from literature to animation. A famous song parody artist is, and current television shows are filled with parodies such as, and.The internet has allowed for art to be remixed quite easily, as evidenced by sites like memgenerator.net (provides pictorial template upon which any words may be written by various anonymous users), and Dan Walsh's Garfieldminusgarfield.net (removes the main character from various original strips by Garfield creator Jim Davis).' A feminist remix is a creative resistance and cultural production that talks back to patriarchy by reworking patriarchal hierarchical systems privileging men.Examples include Barbara Kruger’s You are not yourself (1982), We are not what we seem (1988), and Your body is a battleground (1989), Orlan’s (1994) Self-Hybridizations, Evelin Stermitz’s remix, Women at War (2010), and Distaff Ain’t I Redux (2008) by artist Sian Amoy.Remix in media and consumer products In recent years the concept of the remix has been applied analogously to other and products. In 2001, the television program was produced as a remix of the sketches from the show Jam. In 2003 released a new version of their with flavors under the name.Remix production is now often involved in media production as a form of parody.
Series is famous for its comic remix of various well-known horror movies such as Ring, Scream, and Saw. This form of remix is also used in advertisements, creating parodies of famous movies, TV series, etc. For example, published a commercial poster that parodied the movie Dark Knight.In 1995, released Virtua Fighter Remix (バーチャファイター リミックス/Bāchafaitā rimikkusu) as an update to, just months after of Virtua Fighter release on the Sega Saturn.Virtua Fighter had been released on the Saturn in a less-than-impressive state. Sega had attempted to make an accurate port of the Sega Model 1 arcade version, and therefore chose to use untextured models and the soundtrack from the arcade machine. However, as the Saturn was incapable of rendering as many polygons on screen as Model 1 hardware, characters looked noticeably worse.
Many claim it to be even worse than the Sega 32X version, thanks to the added CD loading time.Virtua Fighter Remix was created to address many of these flaws. Models have a slightly higher polygon count (though still less than the Model 1 version); they are also texture-mapped, leading to a much more modern-looking game that could effectively compete with the PlayStation. The game also allows players to use the original flat-shaded models.In the west, a CG Portrait Collection Disc was also included in the Saturn bundle. North American owners would get Virtua Fighter Remix for free if they registered their Saturns, while Japanese customers would later receive a SegaNet compatible version.
Sega would also bring Virtua Fighter Remix to Sega Titan Video arcade hardware. Copyright implications Because remixes may borrow heavily from an existing piece of music (possibly more than one), the issue of intellectual property becomes a concern. The most important question is whether a remixer is free to redistribute his or her work, or whether the remix falls under the category of a according to, for example, United States copyright law. Of note are open questions concerning the legality of visual works, like the art form of, which can be plagued with licensing issues.There are two obvious extremes with regard to derivative works.
If the song is substantively dissimilar in form (for example, it might only borrow a motif which is modified, and be completely different in all other respects), then it may not necessarily be a derivative work (depending on how heavily modified the melody and chord progressions were). On the other hand, if the remixer only changes a few things (for example, the instrument and tempo), then it is clearly a derivative work and subject to the copyrights of the original work's copyright holder.The is a non-profit organization that allows the sharing and use of creativity and knowledge through free legal tools and explicitly aims for enabling a. They created a website that allows artists to share their work with other users, giving them the ability to share, use, or build upon their work, under the. Everything is a Remix. Boucher, Geoff (January 4, 2001). Los Angeles Times.
Tribune Company. Retrieved April 29, 2011. The Hollywood Reporter. ^, p. 137., pp. 92., p. 149.
Slant Magazine. Retrieved 2012-08-15. ^ Frere-Jones, Sasha (2006-04-03). Retrieved 2010-07-25. Retrieved 2012-08-15. ^.
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Slant Magazine. Retrieved 2011-01-10. The Hollywood Reporter. Exclaim.ca. October 04, Robert Storace ; PM, 2018 at 06:20.
Connecticut Law Tribune. CS1 maint: extra punctuation. Interviewed by, Burroughs explained the following: 'A friend, Brion Gysin, an American poet and painter, who has lived in Europe for thirty years, was, as far as I know, the first to create cut-ups. His cut-up poem, Minutes to Go, was broadcast by the BBC and later published in a pamphlet. I was in Paris in the summer of 1960; this was after the publication there of Naked Lunch. I became interested in the possibilities of this technique, and I began experimenting myself. Of course, when you think of it, was the first great cut-up collage, and had done a bit along the same lines.
Used the same idea in 'The Camera Eye' sequences in. I felt I had been working toward the same goal; thus it was a major revelation to me when I actually saw it being done.' Knickerbocker, Conrad, Williams S. Burroughs, 'The Paris Review Interview with William S. Burroughs' in A Williams Burroughs Reader, ed. John Calder (London: Picador, 1982), p. Garfieldminusgarfield.net.
Keifer-Boyd, Karen; Liao, Christen (2018). In Keywords in Remix Studies. New York:NY: Routledge. Sega Retro. ^ Lessig, Lawrence (2008). Remix. 'Copyright Act 1968 (Cth) ss 31': 85–88.
Cite journal requires journal=. Mashups, Remix, and Copyright Law.
Nicolas Suzor (2006). LLM Thesis. (PDF). on.
on (2008, archived). Copyright Office. Copyright Office. Retrieved 13 December 2011.
Rostama, Guilda (June 1, 2015). Retrieved 2016-03-14. Canada is one of a few countries, if not the only one, to have introduced into its copyright law a new exception for non-commercial user-generated content. Article 29 of Canada’s Copyright Modernization Act (2012) states that there is no infringement if: (i) the use is done solely for non-commercial purpose; (ii) the original source is mentioned; (iii) the individual has reasonable ground to believe that he or she is not infringing copyright; and (iv) the remix does not have a “substantial adverse effect” on the exploitation of the existing work.
^ Rostama, Guilda (June 1, 2015). Retrieved 2016-03-14. In 2013 a district court ruled that copyright owners do not have the right to simply take down content before undertaking a legal analysis to determine whether the remixed work could fall under fair use, a concept in US copyright law which permits limited use of copyrighted material without the need to obtain the right holder’s permission (US District Court, Stephanie Lenz v. Universal Music Corp., Universal Music Publishing Inc., and Universal Music Publishing Group, Case No. 5:07-cv-03783-JF, January 24, 2013).
Given the emergence of today’s “remix” culture, and the legal uncertainty surrounding remixes and mash-ups, the time would appear to be ripe for policy makers to take a new look at copyright law.External links Look up in Wiktionary, the free dictionary.
Label: RCA Polo GroundsProducer: SpaceghostpurrpA$AP Rocky can draw a crowd. Even before assembling high-powered colleagues for posses cuts like, “Fuckin’ Problems” and “1 Train,” when he was still just riring out of Harlem, he gathered an impressive lineup just to remix a mixtape track as a bonus cut for his major label debut. This track might be a little cursed, though. By the time the remix had dropped, the song’s producer, SpaceGhostPurrp, had had a public falling out with A$AP Mob, while Brick Squad partners Gucci and Waka were beefing within months of laying their verses.
One guy on the track with no worries, however, is Pharrell, who displays an uncharacteristically fleet doubletime flow on the remix’s climactic last verse, foreshadowing the big comeback year he was about to have in 2013.